Licences and credits

What others made that Musalea and this website use: the scores, the sounds, the paintings, the type, the data and the software, each with its source and licence.

• The Method's scores
• Sounds
• Music on this website
• Paintings and portraits
• Type
• Data
• Software

The Method's scores

The Method has 1,575 pieces: 52 written for it by Musalea, and 1,523 from public-domain and openly licensed editions. In the app, each piece shows its full credit: the edition, who encoded it, its licence and what we changed.

• Mutopia Project · Public domain · 500 pieces
• Polish Music Heritage in Open Access (Fryderyk Chopin Institute) · CC BY 4.0 · 235 pieces
• Knute Snortum · CC BY-SA 4.0 · 221 pieces
• First Editions of Fryderyk Chopin’s Music (Fryderyk Chopin Institute) · CC BY 4.0 · 135 pieces
• New transcriptions by Musalea from public-domain prints · Public domain · 128 pieces
• Mutopia Project · CC BY 2.5 · 53 pieces
• OpenScore Lieder · CC0 1.0 · 48 pieces
• Mutopia Project · CC BY-SA 3.0 · 42 pieces
• TROMPA project (mdw – University of Music and Performing Arts Vienna) · CC BY 4.0 · 32 pieces
• Open Goldberg Variations · CC BY 3.0 · 31 pieces
• Open Well-Tempered Clavier · CC0 1.0 · 29 pieces
• Public Resource (Internet Archive) · Public domain · 22 pieces
• Mutopia Project · CC BY 3.0 · 12 pieces
• Mutopia Project · CC BY-SA 2.5 · 10 pieces
• PDMX (MuseScore) · CC0 1.0 · 10 pieces
• DASTSAD · Public domain · 4 pieces
• Mutopia Project · CC BY-SA 4.0 · 4 pieces
• New transcriptions by Musalea from images of the Biblioteca Nacional de España · CC BY 4.0 · 3 pieces
• IMSLP · CC BY-SA 4.0 · 1 piece
• IMSLP · CC0 1.0 · 1 piece
• New transcriptions by Musalea from public-domain prints · CC0 1.0 · 1 piece
• Tim Burgess · MIT · 1 piece

CC BY and CC BY-SA scores

A CC BY score's credit names its source and links to the original there, and the score is never encrypted or locked in a way that restricts what its licence allows.

278 pieces are shared under CC BY-SA (Creative Commons Attribution-ShareAlike). Our corrected version of each is shared under the same licence, and so is everything made from it: its sections, exercises and backings. Its credit marks it as changed, it is never encrypted or locked, and Export score in the app saves it as a MusicXML file with its credit and licence, whether or not your trial or plan is active.

Sounds

• The built-in piano: Salamander Grand Piano V3 by Alexander Holm, CC BY 3.0. Changed by Musalea: a subset of its velocity layers, in mono, compressed. Source
• The recorded instruments, all CC0 (public domain dedication): Virtuosity Drums and VSCO 2 Community Edition (the orchestra) by Versilian Studios; Growlybass, Meatbass, Shinyguitar and Black and Green Guitars by Karoryfer Samples; Emily Guitar by D. Smolken / Karoryfer Lecolds; the FreePats Tenor Saxophone by roberto@zenvoid.org, from VCSL by Versilian Studios.
• The General MIDI band: MS Basic (MuseScore_General 0.2) by S. Christian Collins, from FluidR3 by Frank Wen and Michael Cowgill, MIT licence.
• This website's demonstrations: the piano is played by Pianoteq 9 by Modartt; the band and the soloists by the app's own recorded instruments above. Pianoteq is a trademark of Modartt.

Music on this website

• Wolfgang Amadeus Mozart, Sonata in C major “facile”, K. 545: I. Allegro: Mutopia Project edition typeset by Alejandro Sierra, corrected from the print and adapted by Musalea, CC BY-SA 3.0. Source
• Piano: Pianoteq 9 by Modartt, NY Steinway D Classical preset.
• Robert Schumann, Von fremden Ländern und Menschen, Op. 15 No. 1: Mutopia Project edition typeset by Ying-Chun Liu, Public domain. Source
• Enrique Granados, La huérfana, Op. 1 No. 9: Musical Emporium de Viuda de J. M. Llobet edition (Barcelona, c. 1914), Biblioteca Nacional de España, corrected and adapted by Musalea, CC BY 4.0. Source
• Piano: Pianoteq 9 by Modartt, NY Steinway D Jazz preset.
• Upright bass: Meatbass by Karoryfer Samples (CC0)
• Clean electric guitar: Black and Green Guitars by Karoryfer Samples (CC0)
• Tenor saxophone: FreePats Tenor Saxophone by roberto@zenvoid.org, from VCSL by Versilian Studios LLC (CC0)
• Drum kit: Virtuosity Drums by Versilian Studios (CC0)
• Emily electric guitar: Emily Guitar by D. Smolken / Karoryfer Lecolds (CC0)
• Ludwig van Beethoven, Piano Concerto No. 3 in C minor, Op. 37: I. Allegro con brio: Mutopia Project edition typeset by Stelios Samelis, Public domain. Source
• Violin: VSCO 2 Community Edition by Versilian Studios (CC0)
• Violas: VSCO 2 Community Edition by Versilian Studios (CC0)
• Contrabass: VSCO 2 Community Edition by Versilian Studios (CC0)
• French horn: VSCO 2 Community Edition by Versilian Studios (CC0)
• Flute: VSCO 2 Community Edition by Versilian Studios (CC0)
• Oboe: VSCO 2 Community Edition by Versilian Studios (CC0)
• Clarinet: VSCO 2 Community Edition by Versilian Studios (CC0)
• Bassoon: VSCO 2 Community Edition by Versilian Studios (CC0)
• Piano: Pianoteq 9 by Modartt, NY Steinway D Classical and NY Steinway D Jazz presets.
• Ludwig van Beethoven, Piano Concerto no. 3 in C minor, op. 37: Allegro con brio · Mutopia Project · Typeset by Stelios Samelis · Public Domain · Source
• Scott Joplin, The Entertainer · Mutopia Project · Typeset by Chris Sawer · Public Domain · Source

Paintings and portraits

The paintings and prints in the app and on this website are public-domain works that the Art Institute of Chicago shares under CC0; the composer portraits in the app are public-domain images from Wikimedia Commons. The app credits each large picture where it appears.

On this website

• Édouard Jean Vuillard, Landscape: Window Overlooking the Woods, 1899. Art Institute of Chicago, CC0 1.0 (public domain). Source of Landscape: Window Overlooking the Woods
• George Inness, Early Morning, Tarpon Springs, 1892. Art Institute of Chicago, CC0 1.0 (public domain). Source of Early Morning, Tarpon Springs
• Theodore Robinson, The Valley of Arconville, c. 1887. Art Institute of Chicago, CC0 1.0 (public domain). Source of The Valley of Arconville
• Claude Monet, Water Lilies, 1906. Art Institute of Chicago, CC0 1.0 (public domain). Source of Water Lilies
• Katsushika Hokusai, Cranes on snow-covered pine, c. 1834. Art Institute of Chicago, CC0 1.0 (public domain). Source of Cranes on snow-covered pine
• Alfred Sisley, A Turn in the Road, 1873. Art Institute of Chicago, CC0 1.0 (public domain). Source of A Turn in the Road
• Utagawa Hiroshige, Mishima: Morning Mist (Mishima, asagiri), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido, c. 1833/34. Art Institute of Chicago, CC0 1.0 (public domain). Source of Mishima: Morning Mist
• Claude Monet, Cliff Walk at Pourville, 1882. Art Institute of Chicago, CC0 1.0 (public domain). Source of Cliff Walk at Pourville
• Gustave Caillebotte, Paris Street; Rainy Day, 1877. Art Institute of Chicago, CC0 1.0 (public domain). Source of Paris Street; Rainy Day
• George Inness, The Home of the Heron, 1893. Art Institute of Chicago, CC0 1.0 (public domain). Source of The Home of the Heron
• Georges Seurat, A Sunday on La Grande Jatte — 1884, 1884–86, border added 1888–89. Art Institute of Chicago, CC0 1.0 (public domain). Source of A Sunday on La Grande Jatte — 1884
• Utagawa Hiroshige, Mitsuke: Ferries Crossing the Tenryu River (Mitsuke, Tenryugawa funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), c. 1837/42. Art Institute of Chicago, CC0 1.0 (public domain). Source of Mitsuke: Ferries Crossing the Tenryu River
• Vincent van Gogh, The Bedroom, 1889. Art Institute of Chicago, CC0 1.0 (public domain). Source of The Bedroom
• Winslow Homer, The Water Fan, 1898/99. Art Institute of Chicago, CC0 1.0 (public domain). Source of The Water Fan
• Frederic Edwin Church, View of Cotopaxi, 1857. Art Institute of Chicago, CC0 1.0 (public domain). Source of View of Cotopaxi
• James McNeill Whistler, Nocturne: Blue and Gold—Southampton Water, 1872. Art Institute of Chicago, CC0 1.0 (public domain). Source of Nocturne: Blue and Gold—Southampton Water
• Katsushika Hokusai, Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)", 1830/33. Art Institute of Chicago, CC0 1.0 (public domain). Source of Under the Wave off Kanagawa
• Claude Monet, Water Lily Pond, 1900. Art Institute of Chicago, CC0 1.0 (public domain). Source of Water Lily Pond
• Claude Monet, Stacks of Wheat (End of Summer), 1890–91. Art Institute of Chicago, CC0 1.0 (public domain). Source of Stacks of Wheat
• Claude Monet, The Beach at Sainte-Adresse, 1867. Art Institute of Chicago, CC0 1.0 (public domain). Source of The Beach at Sainte-Adresse
• Alfred Sisley, The Loire, 1896. Art Institute of Chicago, CC0 1.0 (public domain). Source of The Loire
• Alfred Sisley, The Seine at Port-Marly, Piles of Sand, 1875. Art Institute of Chicago, CC0 1.0 (public domain). Source of The Seine at Port-Marly, Piles of Sand
• George Inness, After a Summer Shower, 1894. Art Institute of Chicago, CC0 1.0 (public domain). Source of After a Summer Shower
• George Inness, A Marine, c. 1874–75. Art Institute of Chicago, CC0 1.0 (public domain). Source of A Marine
• Berthe Morisot, Forêt de Compiègne, 1885. Art Institute of Chicago, CC0 1.0 (public domain). Source of Forêt de Compiègne
• Utagawa Hiroshige, Hamamatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), c. 1837/42. Art Institute of Chicago, CC0 1.0 (public domain). Source of Hamamatsu
• Utagawa Hiroshige, Arai, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), c. 1837/42. Art Institute of Chicago, CC0 1.0 (public domain). Source of Arai
• Katsushika Hokusai, Shower Below the Summit (Sanka hakuu), from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33. Art Institute of Chicago, CC0 1.0 (public domain). Source of Shower Below the Summit
• Claude Monet, Arrival of the Normandy Train, Gare Saint-Lazare, 1877. Art Institute of Chicago, CC0 1.0 (public domain). Source of Arrival of the Normandy Train, Gare Saint-Lazare
• Claude Monet, Bordighera, 1884. Art Institute of Chicago, CC0 1.0 (public domain). Source of Bordighera
• Claude Monet, Stacks of Wheat (End of Day, Autumn), 1890–91. Art Institute of Chicago, CC0 1.0 (public domain). Source of Stacks of Wheat
• Camille Pissarro, The Place du Havre, Paris, 1893. Art Institute of Chicago, CC0 1.0 (public domain). Source of The Place du Havre, Paris
• Camille Pissarro, The Crystal Palace, 1871. Art Institute of Chicago, CC0 1.0 (public domain). Source of The Crystal Palace
• Camille Pissarro, Rabbit Warren at Pontoise, Snow, 1879. Art Institute of Chicago, CC0 1.0 (public domain). Source of Rabbit Warren at Pontoise, Snow
• Alfred Sisley, Watering Place at Marly, 1875. Art Institute of Chicago, CC0 1.0 (public domain). Source of Watering Place at Marly
• Alfred Sisley, Landscape along the Seine with the Institut de France and the Pont des Arts, c. 1875. Art Institute of Chicago, CC0 1.0 (public domain). Source of Landscape along the Seine with the Institut de France and the Pont des Arts
• Pierre-Auguste Renoir, Chrysanthemums, 1881–82. Art Institute of Chicago, CC0 1.0 (public domain). Source of Chrysanthemums
• Pierre-Auguste Renoir, Seascape, 1879. Art Institute of Chicago, CC0 1.0 (public domain). Source of Seascape
• Paul Cezanne, The Basket of Apples, c. 1893. Art Institute of Chicago, CC0 1.0 (public domain). Source of The Basket of Apples
• Paul Cezanne, The Bay of Marseille, Seen from L'Estaque, c. 1885. Art Institute of Chicago, CC0 1.0 (public domain). Source of The Bay of Marseille, Seen from L'Estaque
• Paul Cezanne, Auvers, Panoramic View, 1873–75. Art Institute of Chicago, CC0 1.0 (public domain). Source of Auvers, Panoramic View
• Paul Cezanne, The Plate of Apples, c. 1877. Art Institute of Chicago, CC0 1.0 (public domain). Source of The Plate of Apples
• Vincent van Gogh, The Poet's Garden, 1888. Art Institute of Chicago, CC0 1.0 (public domain). Source of The Poet's Garden
• Vincent van Gogh, Fishing in Spring, the Pont de Clichy (Asnières), 1887. Art Institute of Chicago, CC0 1.0 (public domain). Source of Fishing in Spring, the Pont de Clichy
• Jean Baptiste Camille Corot, Landscape, 1865/70. Art Institute of Chicago, CC0 1.0 (public domain). Source of Landscape
• Jean Baptiste Camille Corot, Arleux-Palluel, The Bridge of Trysts, 1871–72. Art Institute of Chicago, CC0 1.0 (public domain). Source of Arleux-Palluel, The Bridge of Trysts
• Jean Baptiste Camille Corot, Souvenir of the Environs of Lake Nemi, 1865. Art Institute of Chicago, CC0 1.0 (public domain). Source of Souvenir of the Environs of Lake Nemi
• George Inness, Catskill Mountains, 1870. Art Institute of Chicago, CC0 1.0 (public domain). Source of Catskill Mountains
• George Inness, The Old Mill, 1849. Art Institute of Chicago, CC0 1.0 (public domain). Source of The Old Mill
• George Inness, Crossing the Ford, 1848. Art Institute of Chicago, CC0 1.0 (public domain). Source of Crossing the Ford
• Winslow Homer, The Herring Net, 1885. Art Institute of Chicago, CC0 1.0 (public domain). Source of The Herring Net
• Winslow Homer, Stowing Sail, 1903. Art Institute of Chicago, CC0 1.0 (public domain). Source of Stowing Sail
• Paul Signac, Les Andelys, Côte d'Aval, 1886. Art Institute of Chicago, CC0 1.0 (public domain). Source of Les Andelys, Côte d'Aval
• Paul Signac, Notre Dame, 1910. Art Institute of Chicago, CC0 1.0 (public domain). Source of Notre Dame
• Utagawa Hiroshige, Maisaka: The Ferry at Imagiri (Maisaka, Imagiri funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), c. 1837/42. Art Institute of Chicago, CC0 1.0 (public domain). Source of Maisaka: The Ferry at Imagiri
• Utagawa Hiroshige, No. 37: Miyanokoshi, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)", c. 1835/38. Art Institute of Chicago, CC0 1.0 (public domain). Source of No. 37: Miyanokoshi
• Utagawa Hiroshige, No. 32: Seba, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)", c. 1835/38. Art Institute of Chicago, CC0 1.0 (public domain). Source of No. 32: Seba
• Childe Hassam, New England Headlands, 1899. Art Institute of Chicago, CC0 1.0 (public domain). Source of New England Headlands
• Childe Hassam, Bailey's Beach, Newport, R.I., 1901. Art Institute of Chicago, CC0 1.0 (public domain). Source of Bailey's Beach, Newport, R.I.
• Childe Hassam, The Little Pond, Appledore, 1890. Art Institute of Chicago, CC0 1.0 (public domain). Source of The Little Pond, Appledore
• John Henry Twachtman, Icebound, c. 1889. Art Institute of Chicago, CC0 1.0 (public domain). Source of Icebound
• John Henry Twachtman, The White Bridge, after 1895. Art Institute of Chicago, CC0 1.0 (public domain). Source of The White Bridge
• Sanford Robinson Gifford, Mist Rising at Sunset in the Catskills, c. 1861. Art Institute of Chicago, CC0 1.0 (public domain). Source of Mist Rising at Sunset in the Catskills
• Théodore Rousseau, Springtime, c. 1860. Art Institute of Chicago, CC0 1.0 (public domain). Source of Springtime
• Eugène Louis Boudin, Approaching Storm, 1864. Art Institute of Chicago, CC0 1.0 (public domain). Source of Approaching Storm
• Eugène Louis Boudin, La Touques near Deauville, 1883. Art Institute of Chicago, CC0 1.0 (public domain). Source of La Touques near Deauville
• Charles François Daubigny, The Marsh, 1871. Art Institute of Chicago, CC0 1.0 (public domain). Source of The Marsh
• Charles François Daubigny, River Boat, c. 1860. Art Institute of Chicago, CC0 1.0 (public domain). Source of River Boat
• Gustave Courbet, The Rock of Hautepierre, c. 1869. Art Institute of Chicago, CC0 1.0 (public domain). Source of The Rock of Hautepierre
• Gustave Courbet, An Alpine Scene, 1874. Art Institute of Chicago, CC0 1.0 (public domain). Source of An Alpine Scene
• Martin Johnson Heade, York Harbor, Coast of Maine, 1877. Art Institute of Chicago, CC0 1.0 (public domain). Source of York Harbor, Coast of Maine

In the pictures of the app on this website

• George Inness, The Old Mill (1849) · Art Institute of Chicago, CC0
• Katsushika Hokusai, Cranes on snow-covered pine (c. 1834) · Art Institute of Chicago, CC0
• Portrait of Johannes Brahms by C. Brasch, Berlin · Wikimedia Commons, public domain
• Portrait of Johann Sebastian Bach by Elias Gottlob Haussmann · Wikimedia Commons, public domain
• Claude Monet, Water Lily Pond (1900) · Art Institute of Chicago, CC0
• Frederic Edwin Church, View of Cotopaxi (1857) · Art Institute of Chicago, CC0
• Portrait of Ludwig van Beethoven by Joseph Karl Stieler · Wikimedia Commons, public domain
• Portrait of Alexander Scriabin by Charles-Louis Klary · Wikimedia Commons, public domain
• Portrait of Frédéric Chopin by Louis-Auguste Bisson · Wikimedia Commons, public domain
• Portrait of Moritz Moszkowski · Wikimedia Commons, public domain
• Portrait of Domenico Scarlatti by Domingo Antonio Velasco · Wikimedia Commons, public domain
• Childe Hassam, Bailey's Beach, Newport, R.I. (1901) · Art Institute of Chicago, CC0
• George Inness, Early Morning, Tarpon Springs (1892) · Art Institute of Chicago, CC0
• Childe Hassam, The Little Pond, Appledore (1890) · Art Institute of Chicago, CC0
• Portrait of Felix Mendelssohn by Eduard Magnus · Wikimedia Commons, public domain
• Camille Pissarro, The Crystal Palace (1871) · Art Institute of Chicago, CC0
• Pierre-Auguste Renoir, Chrysanthemums (1881–82) · Art Institute of Chicago, CC0
• Winslow Homer, The Water Fan (1898/99) · Art Institute of Chicago, CC0
• Charles François Daubigny, The Marsh (1871) · Art Institute of Chicago, CC0
• Gustave Caillebotte, Paris Street; Rainy Day (1877) · Art Institute of Chicago, CC0
• Alfred Sisley, A Turn in the Road (1873) · Art Institute of Chicago, CC0
• Utagawa Hiroshige, Mishima: Morning Mist (Mishima, asagiri), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido (c. 1833/34) · Art Institute of Chicago, CC0
• Claude Monet, Cliff Walk at Pourville (1882) · Art Institute of Chicago, CC0
• George Inness, The Home of the Heron (1893) · Art Institute of Chicago, CC0
• Georges Seurat, A Sunday on La Grande Jatte — 1884 (1884–86, border added 1888–89) · Art Institute of Chicago, CC0
• Utagawa Hiroshige, Mitsuke: Ferries Crossing the Tenryu River (Mitsuke, Tenryugawa funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) (c. 1837/42) · Art Institute of Chicago, CC0
• Vincent van Gogh, The Bedroom (1889) · Art Institute of Chicago, CC0
• Katsushika Hokusai, Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)" (1830/33) · Art Institute of Chicago, CC0

Type

The system font, with Inter by Rasmus Andersson (SIL Open Font License 1.1) where the system has none of its own, in the app and on this website.

Data

The swing of the Changes soloists follows figures measured in the Weimar Jazz Database. Contains information from the Weimar Jazz Database, made available under the ODbL 1.0.

Software

Musalea is built with open-source software. The full text of each licence is in the third-party notices.

In the app

• @fontsource-variable/inter 5.3.0 · OFL-1.1
• @formatjs/fast-memoize 3.1.7 · MIT
• @formatjs/icu-messageformat-parser 3.5.22 · MIT
• @formatjs/icu-skeleton-parser 2.1.12 · MIT
• annotated-doc · MIT
• annotated-types · MIT
• anyio · MIT
• click · BSD-3-Clause
• CPython (python-build-standalone) · PSF-2.0
• Electron 45.0.0 · MIT
• fastapi 0.143.1 · MIT
• h11 · MIT
• idna · BSD-3-Clause
• intl-messageformat 12.1.4 · BSD-3-Clause
• lucide-react 1.60.0 · ISC
• opentelemetry-api · Apache-2.0
• pip · MIT
• pydantic 2.14.1 · MIT
• pydantic_core · MIT
• python-multipart 0.0.32 · Apache-2.0
• react 19.3.1 · MIT
• react-dom 19.3.1 · MIT
• scheduler 0.28.0 · MIT
• spessasynth_core 4.3.22 · Apache-2.0
• spessasynth_lib 4.3.14 · Apache-2.0
• starlette · BSD-3-Clause
• stb-vorbis 0.0.6 · Apache-2.0
• typing-inspection · MIT
• typing_extensions · PSF-2.0
• uvicorn 0.54.0 · BSD-3-Clause
• verovio 6.3.0 · LGPL-3.0-or-later

Verovio, which draws the scores, is used unmodified under the GNU Lesser General Public License (LGPL-3.0-or-later), as its own files that can be replaced. Electron includes Chromium and Node.js, whose licences are in the LICENSES.chromium.html file installed with the app; CPython's licence is installed with the app's Python engine.

On this website

• @fontsource-variable/inter 5.3.0 · OFL-1.1

On our servers

Our preparation service converts scores with MuseScore Studio 4 (GPL-3.0) and music21 (BSD-3-Clause), draws them with Verovio (LGPL-3.0-or-later), and makes Changes backings with Musical MIDI Accompaniment (MMA) 25.05 by Bob van der Poel and contributors (GPL-2.0-or-later). MuseScore and MMA each run unmodified as a separate program. MMA's source code is published at mellowood.ca/mma; the app's list of backing styles is taken from MMA's style libraries, under the same licence. Write to contact@inbistra.com for the complete source of the versions we run.

Last updated: 6 November 2026.