Levels Pieces Technique Reading Musicianship Glossary
Sinfonia No. 1 in C major, BWV 787
Johann Sebastian Bach (1,685–1,750)
Key C major
Style Baroque
Roughly RCM 8 · ABRSM 7 · Trinity 7 · Henle 4–5
Focus three-part counterpoint, inner voice control
What its lesson teaches
Study Bach’s three-voice Sinfonia in C major, BWV 787, following each line through its rests and sustaining its held notes, and balancing the middle voice against the outer two. In the separate keyboard model, connect four written voices and listen for their independence and any unwanted parallel fifths or octaves.
Technique C major five-finger pattern, hands separately
The other lesson pieces of Level 8
Figurierter Choral (Figured Chorale), Op. 68 No. 42 , Robert SchumannInvention No. 15 in B minor, BWV 786 , Johann Sebastian BachPiano Sonata No. 19 in G minor, Op. 49 No. 1: II. Rondo: Allegro, in G major , Ludwig van BeethovenMoment musical in F minor, D. 780 No. 3 , Franz SchubertElite Syncopations , Scott JoplinImprovisation, Op. 46 No. 4 , Edward MacDowellSinfonia No. 11 in G minor, BWV 797 , Johann Sebastian BachHarlem Rag , Tom TurpinLittle Prelude in F major, BWV 928 , Johann Sebastian BachThe Art of Finger Dexterity, Op. 740 No. 37 , Carl Czerny
Previous piece Lullaby (Berceuse), Op. 109 No. 7
The repertoire of Level 8
Next piece Figurierter Choral (Figured Chorale), Op. 68 No. 42
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