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Goldberg Variations, BWV 988 — complete cycle

Johann Sebastian Bach (1,685–1,750)

First published
1741
Key
G major / G minor
Style
Baroque
Level
Fellowship and Concert
Roughly
ABRSM FRSM · Trinity FTCL · Henle 9
Lesson
Musicianship
Focus
Complete-cycle architecture, canons at increasing intervals, French overture, hand-crossing variations, Variation 25, Quodlibet and large-scale memory/endurance.

What its lesson teaches

C.1 Hear an entire variation cycle as one work

Prepare the complete Goldberg Variations, BWV 988: Aria, thirty variations and the returning Aria. Compare the retained bass-and-harmonic framework with the changing surface, including the canonic variations, the French-overture opening of Variation 16 and the final Quodlibet. Group the cycle by musical evidence and rehearse its transitions. The whole cycle counts as one work in your programme. The C-major voicing preparation is a separate independence model.

Technique
  • C major hand crossing in semiquavers, hands together: land the crossing hand without looking
  • G major scale, hands together, 4 octaves
  • C major moving top voice above held chordal voices, hands together (faster: Concert tempo)

Edition and licence

Score: Open Goldberg Variations, official 2012 MuseScore edition

Encoding source: https://musescore.com/user/9836/scores/48072 · CC BY 3.0

Goldberg Variations, BWV 988 — complete cycle

Edition: Open Goldberg Variations, official 2012 MuseScore edition

First published: 1741

Source: https://musescore.com/user/9836/scores/48072 (Open Goldberg Variations (2012), MuseScore; the project dedicated it CC0, IMSLP #229423 tags it CC BY 3.0, so it is credited under CC BY 3.0)

Open Goldberg Variations, official 2012 MuseScore edition

Encoding source: https://musescore.com/user/9836/scores/48072

Licence: https://creativecommons.org/licenses/by/3.0/

Adapted by Musalea: converted to MusicXML and prepared for interactive practice.

The other lesson pieces of Fellowship and Concert

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