Large forms and cycles
Longer works relate returns, keys and climaxes across many minutes.
- Category
- Form and analysis
- First taught in
- D.2 Pace a complete three-movement sonata
- Theory cards
- A cycle's key plan (Diploma)
- Transformed returns (Fellowship and Concert)
In the lessons
17 lessons and 17 pieces where the Method teaches or uses it, in teaching order.
| Lesson | Lesson and piece |
|---|---|
| D.2 | Pace a complete three-movement sonataPiano Sonata No. 6 in F major, Op. 10 No. 2 — complete, Ludwig van Beethoven |
| D.5 | Connect two contrasting movementsPiano Sonata No. 24 in F-sharp major, Op. 78 — complete, Ludwig van Beethoven |
| D.10 | Carry a barcarolle pulse through chromatic colourMallorca (Barcarola), Op. 202, Isaac Albéniz |
| D.11 | Keep clarity inside a compact modern sonata movementSonatine, M.40 — I. Modéré, Maurice Ravel |
| D.14 | Enter after the orchestraPiano Concerto No. 3 in C minor, Op. 37: I. Allegro con brio, Ludwig van Beethoven |
| L.1 | Build a five-voice argument across a complete pairPrelude and Fugue in C-sharp minor, BWV 849 — complete pair, Johann Sebastian Bach |
| L.3 | Transform a theme without losing the long spanBallade No. 1 in G minor, Op. 23, Frédéric Chopin |
| L.4 | Read an enharmonic boundary accuratelyPrelude and Fugue in E-flat minor / D-sharp minor, BWV 853 — complete pair, Johann Sebastian Bach |
| L.7 | Sustain direction through a long contrapuntal spanPrelude and Fugue in B minor, BWV 869 — complete pair, Johann Sebastian Bach |
| L.9 | Trace thematic variation into a dense codaBallade No. 4 in F minor, Op. 52, Frédéric Chopin |
| L.10 | Keep the dance inside a large rondoRondo à la mazur in F major, Op. 5, Frédéric Chopin |
| C.1 | Hear an entire variation cycle as one workGoldberg Variations, BWV 988 — complete cycle, Johann Sebastian Bach |
| C.3 | Pace a complete four-movement dramatic sonataPiano Sonata No. 2 in B-flat minor, Op. 35 — complete, Frédéric Chopin |
| C.5 | Make cyclic returns audible without announcing themPrélude, choral et fugue, FWV 21, FWV 21; CFF 24, César Franck |
| C.6 | Preserve contrast across a complete late sonataPiano Sonata No. 3 in B minor, Op. 58 — complete, Frédéric Chopin |
| C.8 | Carry a twenty-four-piece cycle as one programme identity24 Preludes, Op. 28 — complete cycle, Frédéric Chopin |
| C.11 | Carry a whole concerto from tutti to finalePiano Concerto No. 1 in E minor, Op. 11 — complete, Frédéric Chopin |
In Musicianship
The units whose theory questions ask about it.
| Unit | Title |
|---|---|
| D.2 | The Neapolitan sixth |
| C.5 | A transformed answer |
Related ideas
In the app, the Theory library has the whole cards, with their questions, and a deep dive into this idea. The glossary from A to Z
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