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Suonata quarta: Fuga cromatica (L’organo suonarino, Op. 13)

Adriano Banchieri (1,568–1,634)

First published
1605
Style
Baroque
Level
Level 6
Roughly
RCM 6 · ABRSM 6 · Trinity 6 · Henle 4
Lesson
Musicianship
Focus
Shape the phrasing, rhythm and voice balance clearly.

What its lesson teaches

6.3 Hear notes between the chords

Study Banchieri’s Suonata quarta (Fuga cromatica). Follow each entry of the subject, a long note and then a rising scale, through the voices, and hear the suspensions where a held note clashes and then resolves down by step (bars 5–7). Banchieri’s “cromatica” refers to the accidentals along the way, not to the subject. At the keyboard: resolve a suspension.

Technique
  • D harmonic minor scale, hands separately, 2 octaves
  • D minor broken triad, hands separately, 2 octaves

Edition and licence

Score: Mutopia Project · public domain

SUONATA QUARTA, FVGA CROMATICA From Primo Registro of the Organo Suonarino

Typeset by Giampaolo Orrigo.

Public Domain

Source: https://www.mutopiaproject.org/cgibin/piece-info.cgi?id=34

Licence: Public Domain (Mutopia Project licensing: https://www.mutopiaproject.org/legal.html)

Adapted by Musalea: converted to MusicXML and prepared for interactive practice.

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